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Thursday, November 5, 2015
Jared McBride earned his Ph.D. in History at the University of California, Los Angeles, where he studied ethnic diversity and mass violence in Nazi-occupied Volhynia, Ukraine, during the Second World War. His work specializes in the regions of Russia, Ukraine, and Eastern Europe in the 20th century and research interests include borderland studies, nationalist movements, mass violence and genocide, the Holocaust, inter-ethnic conflict, and war crimes prosecution. Currently, Dr.
Tuesday, February 6, 2018
Nancy Nicholls Lopeandia is a lecturer at the Pontificia Universidad Católica de Chile on themes of memory, oral history and contemporary Chilean history. She received her BA in History at the Pontificia Universidad Católica de Chile and her PhD in Sociology from the University of Essex, United Kingdom. She has written about the experiences of repression among victims of the Chilean dictatorship (1973-1990) based on survivor testimonies. In recent years, her principal research topic has been survival, migration and adaptation among Holocaust survivors migrating to Chile.
Thursday, November 5, 2015
Simone Gigliotti earned her Ph.D. in History from the University of Melbourne, Australia, where she focused her research on the psychological and interpersonal consequences of forced migration and displacement of marginalized populations during the Holocaust. Her research interests concern the causes, processes and effects of state-sponsored, ethnic and religious violence, especially as it relates to the forced movement and confinement of Jewish and non-Jewish survivors in and from Europe from the 1930s to the 1950s. Dr.
Tuesday, February 6, 2018
Maria Zalewska is a PhD candidate in Cinema and Media Studies at the USC School of Cinematic Arts. Her research interests include cinematic representations of the Holocaust; documentary film; national and transnational modes and media of memorialization; digital humanities; politics of technologized memory; place and space in cinema; history as film/film as history; and political economy of film.

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