The Holocaust

The largest audiovisual collection of its kind in the world, the Holocaust Collection is composed of nearly 52,000 WWII era testimonies of Jewish survivors, political prisoners, Sinti and Roma survivors, Jehovah's Witness survivors, survivors of eugenics policies, and LGBTQ survivors, as well as rescuers and aid providers, liberators, and participants in war crimes trials.

Visit the Visual History Archive Online*

*The Visual History Archive Online provides access to all of the metadata of the 55,000 testimonies in the Archive as well as a subset of more than 4,000 testimonies for immediate viewing online.

Ruth Westheimer on choosing her career

In this clip from her testimony, recorded in New York in 1998, Ruth Westheimer reflects on her studies in the United States after WWII and her long career as “Dr. Ruth.”

The Last Chance Testimony Collection

The 55,000 women and men in its Visual History Archive® share their life stories — of trauma and loss, as well as culture and family, and ultimately survival. Representing more than a century of history, these testimonies provide an enduring legacy of memory. As long as there are still witnesses ready to speak, their voices must be heard.

Time is running out. We must act now to collect the remaining testimonies of Holocaust witnesses — before it is too late. There are approximately 300 witnesses waiting to tell their stories. Your gift will help capture these testimonies while we still have the chance.

Preserving the Legacy

Through a program called Preserving the Legacy, USC Shoah Foundation digitizes, indexes, and integrates into the Visual History Archive Holocaust testimony taken and owned by other museums and institutions to make them more accessible to scholars, students, educators, and the general public. Efforts are underway to collect as many as 3,000 new life stories in this fashion.

The North Africa and Middle East Project

The Institute is also in the midst of a campaign to record at least 50 testimonies from the North Africa and Middle East region, where the Nazi regime had gained a foothold during World War II. The collection includes testimonies of individuals from several countries including Algeria, Egypt, and Iran. Testimonies are given in English, French, Hebrew, Italian and Farsi.

Recent interviewees include writers, artists, scholars and activists and others who describe Jewish life in the Middle East and North Africa before World War II, experiences of antisemitism and persecution during the war such as the 1941 Farhud pogrom in Baghdad, and the impact of the European Holocaust on their lives. They also reflect on the North African and Middle Eastern Jewish communities today.

Dimensions in Testimony

USC Shoah Foundation has also partnered with USC Institute for Creative Technologies and Conscience Display to conceive and design a cutting-edge technology called Dimensions in Testimony, which enables people to interact with a projected image of a real Holocaust survivor, who responds to questions asked in real time.

With this endeavor, a handful of Holocaust survivors who have already sat before a camera for USC Shoah Foundation’s Visual History Archive are giving testimony again. This time, however, they sit before 50 cameras arranged in a rig to capture a three-dimensional recording of them telling their stories in a new way, by answering questions that people are most likely to ask. Funding for Dimensions in Testimony was provided in part by Pears Foundation and Louis. F. Smith.

360º Testimonies

Filmed on location at authentic historic sites, 360-degree testimonies use the latest technology with a single camera that captures the interviewee and the surrounding location in a single shot. By capturing the full scene, the viewer can explore the environment while watching the survivor share his or her story, adding a dimension of meaning to the experience.

The locations might include a childhood home, a European city block that was once a Jewish ghetto, the site of a former Nazi concentration camp and other places of key significance to the survivor’s personal history. By capturing the full scene, the viewer can explore the environment while watching the survivor share his or her story.

USC Shoah Foundation has filmed 360-degree testimonies of several Holocaust survivors in these locations. One was turned into a pioneering VR film, “The Last Goodbye,” which transports viewers inside the Nazi death camp Majdanek in Poland with Pinchas Gutter, the only member of his family of four to survive the Holocaust.

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