Visual History Archive
Holocaust Museum Houston Testimony Collection Brings Voices of Houston to Visual History Archive
École Normale Supérieure (ENS) of Lyon Launches "Paroles de libérés" Exhibition
Meet Toni Nickel
As part of USC Shoah Foundation’s Preserving the Legacy initiative, 281 testimonies from Holocaust Museum Houston are currently being indexed for integration into the Visual History Archive.LEARN MORE...
ENS Lyon is mounting Paroles de libérés, a major exhibition looking at the plight of liberated survivors returning to France at the end of World War II.LEARN MORE...
Toni Nickel is preparing for a career of teaching the Holocaust by serving as the first-ever USC Shoah Foundation intern at Texas A&M University.LEARN MORE...
The Visual History Archive is USC Shoah Foundation’s online portal that allows users to search through and view more than 52,000 video testimonies of survivors and witnesses of genocide. Initially a repository of Holocaust testimony, the Archive expanded in April of 2013 to include 64 testimonies from the 1994 Rwandan Tutsi Genocide and again in April 2014 to include 12 testimonies from the 1937 Nanjing Massacre in China. All told, the testimonies have been conducted in 61 countries and 39 languages.
The initial Rwandan testimonies were collected in the United States and Rwanda in two languages (English and Kinyarwanda) in collaboration with Aegis Trust and the Kigali Genocide Memorial, with additional support provided by IBUKA.
The Chinese interviews were conducted in Mandarin in the city of Nanjing, China, through a partnership with the Nanjing Massacre Memorial Hall.
An initial 60 of the 400 testimonies from survivors and witnesses of the Armenian Genocide were integrated into the Visual History Archive in April 2015, to mark the 100-year anniversary of the onset of those atrocities. The remaining testimonies are being digitized and will be indexed and integrated by the fall of 2015. For this collection, USC Shoah Foundation partnered with the late Dr. J. Michael Hagopian, who filmed all the interviews, his wife Antoinette, and the Armenian Film Foundation he founded.
Each collection added to the Visual History Archive adds context for the others, providing multiple pathways to learn from the eyewitnesses of history across time, locations, cultures and social-political circumstances.