The other morning I checked the BBC News website like I always do only to discover that French film director Alain Resnais had passed away at the age of ninety-one. Resnais’s films frequently explored the relationship between memory, consciousness, and the imagination in a non-linear manner and his innovative method of filmmaking won him numerous awards and prestige throughout his prolific career.

Over the last six weeks, I have had the unique opportunity to be the Senior Fellow at USC Shoah Foundation - The Institute for Visual History and Education. It’s been an honor for me to be here, especially since I led the Institute between 2000 and 2008. Returning to this remarkable place, having the opportunity to use the Visual History Archive, and working among dear former colleagues and new friends has been simply thrilling.

On the day the Visual History Archive access site in Prague - the Malach Center for Visual History - was inaugurated I decided that my school, Archbishop High School in Prague, could not ignore it. However, I was not able to think of a way how to organically incorporate it in teaching English, which is my job. My chance came only recently.

Pinchas Gutter sits in a red chair surrounded by bright green fabric under the glare of several thousand LED lights, 53 cameras capturing his every move. This is the world's first ever full-life history captured in true 3-D. As I interview him, I perch on a stool 8 feet away at 90 degrees to Pinchas. We can see each other through a mirror angled at 45 degrees. I have 400 questions in front of me as we settle in for five days of intensive interview. This is not the fireside chat in the comfort of the interviewee's home.