Event reconstruction can be an enormous undertaking – consider the millions spent by producers on costuming and sets for films and theatrical productions; the years of research and interviewing done by the authors of biographies and history books. Still, a new sort of reconstruction is on the rise now –virtual reality, for which users don goggles to view storyworlds developed by videographers, directors, programmers and sometimes researchers and historians.

Scholars Maria Zalewska, Timothy Williams and Tomasz Łysak delved into some of the newest ways genocide museum visitors are sharing their experiences on social media in the panel discussion “Social Media, Genocide Commemoration and Augmented Reality.”