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Anita Lasker-Wallfisch had a lucky moment while being processed at the Sauna in Auschwitz-Birkenau. One of the girls processing her asked her what she did prior to landing in that place of unspeakable horror. “I played the cello,” she answered. That surreal conversation, not far from the gas chambers at Birkenau, would save her life. As a member of the Auschwitz women's orchestra, playing the cello meant respite from heavy labor.
Auschwitz70, Anita Lasker-Wallfisch, memory, music, op-eds / Wednesday, January 21, 2015