As a non-Jew living in Paris, the scourge of antisemitism had, until recently, faded from my mind as a major concern. But my eyes were opened in 2016 when I was approached by the USC Shoah Foundation to executive produce for them a new collection of testimonies on contemporary antisemitism.

Like many countries around the world, we commemorated Labor Day on May 1 here in Germany. The day also coincided with the beginning of a new government position – commissioner for Jewish life in Germany and to fight antisemitism, but everyone refers to it as the “Antisemitism Commissioner.” The inaugural holder is Felix Klein, a career diplomat with an international law degree, who coincidentally happens to come from the same town I grew up in.

In 2003, I and others were preparing for the opening of the Kigali Genocide Memorial to commemorate the 1994 Genocide against the Tutsi in Rwanda when a volunteer data collector emptied the contents of a brown manila envelope onto my desk. There on top of the pile of papers and photos was a photo of two little girls.

When Palestinian President Mahmoud Abbas made the claim that Jews were targeted in the Holocaust for their “social function” in banking and not for their religion, he was not ranting from the podium or calling for death to the Jews. His approach was much more subtle, and therefore much more sinister.

While "The Girl and The Picture" focuses on the story and voice of one of the last remaining survivors of the Nanjing Massacre of 1937, it is also a project that I saw as a chance to excavate forms of storytelling itself – and look at different ways we preserve legacy and memory and process loss and survival.