During my dissertation research on the history of fear in the Weimar Republic, 1919-1933, a Corrie ten Boom fellowship provided the opportunity for me to visit the USC Shoah Foundation to explore the visual testimonies of the USC Shoah Foundation Visual History Archive. When I arrived, I was not exactly sure how I might make use of these incredibly important digitized collections in my project.

Only a day after the University of Southern California announced that it would conduct a three-day test to move all classes online, which soon turned into a permanent arrangement until the end of Spring semester, my colleague and I gave our last in-person introduction to the USC Shoah Foundation Visual History Archive to a USC class. Perhaps serendipitously, one of the topics discussed in this class was physical health.

I much enjoyed my stay at the USC Shoah Foundation Center for Advanced Genocide Research in early March, just before the pandemic turned all of our lives upside down. Meeting the wonderful members of the staff and seeing how much the operations of both the Foundation and the Center have grown since my last visit in 2014 were remarkable experiences.

“Most leading authorities and publications use ‘anti-Semitism.’ I prefer ‘antisemitism,’ the spelling used by the International Holocaust Remembrance Alliance. But this debate obscures the core issue: whether spelled anti-Semitism or antisemitism, we should retire the term entirely and begin calling it what it really is: Jew hatred.”

From visiting family in China during summer breaks growing up, I became acutely aware of the devastation and suffering that occurred during the Japanese occupation of our hometown of Nanjing. Museums, movies, television programs, and commemorative art kept the Nanjing Massacre alive in public memory. But what I also noticed, from visits to museums, shuffling through television channels, and discussions with family, was the seeming absence of Chinese resistance.

I had the opportunity to research the USC Shoah Foundation's Visual History Archive this past summer thanks to the Beth and Arthur Lev Student Research Fellowship. I was initially introduced to the archive through a course taught by Dr. Maria Zalewska in the School of Cinematic Arts entitled “Meme, Myself and I: How We Remember in the Digital Age.” Prior to the course, I was unaware of this resource at USC despite having a visual art practice deeply engaged with Holocaust remembrance and archives.

As a postdoctoral research fellow at the USC Shoah Foundation Center for Advanced Genocide Research in the 2019-2020 academic year, I carried out a research project focusing on the long-term impact of Hamidian Massacres of 1894-97 and the experiences of genocide survivors with regards to extortion, plunder, and robbery during the genocide of 1915. Since 2008, I have been working on socio-economic aspects of the genocide and of the deterioration of relations among different communities.

All university campuses are first and foremost places of learning. As such, I believe it is our duty to use this controversy as a teaching moment, for Jewish and non-Jewish students alike.

My recent stay at the USC Shoah Foundation Center for Advanced Genocide Research has been one of the most rewarding experiences of my academic career.  From the remarkable power and content of the Visual History Archive, to the welcoming and helpful nature of the staff and donor community, I leave my term as the Breslauer, Rutman, and Anderson Research Fellow strengthened by new friendships and enriched by new findings for my work. 

I never intended to spend months listening to Holocaust testimonies.  My name is Chaya Nove, I am a sociolinguist working on a doctoral dissertation about language change in Yiddish vowels. In my research, I consider the Yiddish spoken by Hasidic Jews in New York today (Hasidic Yiddish, or HY) as a living, changing language, with the understanding that this language was once spoken by a group of people in another time and place.