One of Poland's most beloved films is a unique example of music uniting both Jews and gentiles in the immediate post-war period that would soon become very difficult to find anywhere else.
cagr, music as resistance, warsaw / Friday, October 2, 2015
When I commenced my PhD journey three years ago at Edge Hill University in northern England, I had little idea of where the journey would take me, both literally and figuratively.
music as resistance, research, Center for Advance Genocide Research, cagr, op-eds, cagr / Thursday, October 8, 2015
Sandya Maulana’s presentation at the symposium is a chance to discuss an issue from his native Indonesia that has yet to be discussed even in Indonesia itself.
cagr, music as resistance, indonesia / Thursday, October 8, 2015
The conference included a night of films, an academic symposium and a concert, all exploring music as it has been used as a form of resistance to genocides throughout history.
music as resistance, cagr / Thursday, October 15, 2015
There is a current controversy about the allegation that the great mufti of Jerusalem instigated the final solution of the Nazis. While there is no doubt that Haj Amin al-Husseini, was a virulent anti-Semite, history shows that the Final Solution was conceived and implemented by Nazis and nobody else.
Haj Amin al-Husseini, holocaust, GAM, op-eds, cagr / Thursday, October 22, 2015
The USC Shoah Foundation Center for Advanced Genocide Research invites applications from senior scholars for its 2016-2017 Center Research Fellowship. The fellowship provides $30,000 support and will be awarded to an outstanding senior scholar from any discipline who will advance genocide research through the use of the USC Shoah Foundation Visual History Archive and other USC resources.
cagr / Wednesday, October 28, 2015
During the weekend of October 10-11, the University of Southern California gathered international academics, musicians and members of the Los Angeles community for a symposium and series of events, collectively called Singing in the Lion’s Mouth: Music as Resistance to Genocide. Hosted by Professor Wolf Gruner of the USC Shoah Foundation Center for Advanced Genocide Research, and Professor Nick Strimple of the USC Thornton School of Music, the symposium, film screening and concert were also sponsored by USC’s Vision and Voices arts and humanities initiative. The following paragraphs are a reflection on the individual events that made up the weekend, and an exploration into the larger ideas raised in discussions over the course of the weekend.
cagr / Friday, October 30, 2015