The Holocaust collection in USC Shoah Foundation's Visual History Archive contains nearly 53,000 testimonies; however, only a mere six of those testimonies are from survivors who were persecuted by the Nazis for being gay: one in English, three in German, one in French, and one in Dutch. There are other gay survivors we have in the Archive, but they were persecuted by the Nazis for the greater sin of being Jewish; Gad Beck being one of them. The meager number says a lot about the history of the gay men who lived through the Nazi regime and who came out the other end willing and unafraid to speak about their lives.

Three Holocaust survivors describe incredible stories of how music quite literally saved their lives in the Days of Remembrance film Music Saved My Life.

As part of USC Shoah Foundation’s Preserving the Legacy initiative, 281 testimonies from Holocaust Museum Houston are currently being indexed for integration into the Visual History Archive.

Stefan (Teofil) Kosinski’s testimony is the only English-language testimony we have in the Visual History Archive from a homosexual survivor, which is also remarkable for the fact that Stefan is not a native English speaker.

What makes Gad Beck’s story so remarkable, however, was that not only was he a “Mischling” but he was also a gay teenager living in Nazi Berlin, the epicenter of a military power antagonistic to both Jews and gays.

Virtually everyone has listened to a popular song with its lyrics changed for comedic or dramatic effect. But a perhaps little-known fact of the Holocaust is that this type of parody was also a common practice in some of the most hellish places on Earth: concentration camps.

There is a current controversy about the allegation that the great mufti of Jerusalem instigated the final solution of the Nazis. While there is no doubt that Haj Amin al-Husseini, was a virulent anti-Semite, history shows that the Final Solution was conceived and implemented by Nazis and nobody else.

I found as a teacher that the most challenging task when teaching about the Holocaust and genocide, is how to do it not using material that shocks the students to the point that they do not want to look at the content, study the history or listen to present day issues due to the emotional shut down that can occur.