The director is reissuing “Schindler’s List,” as he expands the mission of the Shoah Foundation through video testimonies of genocide survivors.
Steven Spielberg’s “Schindler’s List” is back in theaters to mark the 25th anniversary of its release. And the director said it couldn’t come at a more appropriate time, saying that “there is more at stake today than even back then."
Now, as the film comes to theaters again, the world is at a critical crossroads similar to what the generation in the film faced: Globally, authoritarian governments are in ascendance — with fascist parties gaining traction in many European nations. Further, a stark rise in violence targeting Jewish communities has reflected rising antisemitism as not seen since the Second World War.
"When collective hate organizes and gets industrialized, then genocide follows," said Spielberg. "We have to take it more seriously today than I think we have had to take it in a generation," he said during a time of heightened identity politics and the massacre of 11 people at the Tree of Life synagogue in which the suspected shooter left a trail of anti-Semitic posts online.
USC Shoah Foundation-The Institute for Visual History and Education (USC Shoah Foundation) announced a collaboration with David Korins Design-whose founder David Korins is the critically acclaimed designer behind Broadway smash hits Hamilton and Dear Evan Hansen-to bring USC Shoah Foundation content into museums and other organizational spaces for public exhibitions.
David Korins, the designer of Broadway hit “Hamilton” will be the USC Shoah Foundation’s creative director on several of the foundation projects and exhibits, Korins said in an interview Oct. 17.
They stand among the ramshackle surroundings of their new lives, staring intently into the camera. For a handful of the estimated 700,000 Rohingya refugees who have fled across the border from Myanmar to overcrowded, under-resourced refugee camps in neighboring Bangladesh, this is a rare chance to tell their stories.
One year after they were forced to flee their homes, Rohingya refugees add their voices to a new database of genocide testimonies.
At 90, Dallas Holocaust survivor Max Glauben shared horrors of the Holocaust… something he’s been doing for decades… but never like this. “I didn’t have enough toes or fingers, to count the times I spoke,” he shared, while telling his story once again at a local production studio. “I’ve been doing it about 40 years.”
For Pinchas Gutter, visiting his homeland is a haunting reminder of the family he lost and the life he might have lived. He returns one last time to say goodbye and capture his personal saga in virtual reality for future generations.
In an effort to spark a social movement against hatred in all forms, USC Shoah Foundation – The Institute for Visual History and Education – and Discovery Education, the leading provider of digital content and professional development for K-12 classrooms, today announced the winners of the 2018 IWitness Video Challenge.
BALUKHALI REFUGEE CAMP, Bangladesh (AP) — Mohammed Hashim hid in the hills and watched as his brother begged for his life, his arms bound behind his back as soldiers marched the 35-year-old teacher away. It was the last time he saw him alive. It was Aug. 26, the day after Rohingya Muslim separatist attacks on military outposts in the Rohingya homeland in western Myanmar. In their wake, Myanmar’s military and local Buddhists would respond with a campaign of rape, massacre and arson that has driven about 700,000 Rohingya into Banglades
The survivor community for one of the worst war atrocities in modern history is dying. New technology will allow future generations to hear their stories.
At the Shoah Foundation, I was able to converse with a still-living Holocaust survivor named Pinchas Gutter. Pinchas wasn’t really there, though; I was chatting with a hologram of Pinchas, which appeared on a flat, 2D display in the hallway. The conversation felt almost absurdly natural, due in large part to the foundation’s development of its own natural language processing system. At one point, I realized I felt rude interrupting a video.
NEW YORK - Eva Schloss lived through Auschwitz. Her father and brother did not. Pinchas Gutter survived five Nazi concentration camps and was, as he says, “torn apart” from his family when they were killed.
The University of Southern California Shoah Foundation, known for its work preserving genocide survivor testimonies, had embarked on a new project: interactive three-dimensional recordings of Holocaust survivors, to allow people to continue speaking to them long after they are gone. I wanted to know more.
USC SHoah Foundation has announced the "Stronger Than Hate" initiative to support educators by providing them with tools and training to responsibly engage their students now and into the future.
After 20-year-old James Alex Fields Jr. drove his car into a crowd of peaceful protestors in Charlottesville, Virginia, over the weekend, his former high school teacher Derek Weimer reported that his student had been fascinated by the Nazis at school. Weimer’s classroom was not where Fields’ fascination began, but where he was able to express himself openly and publicly with pride. The Second World War and the entire period of Nazi power was indeed fascinating, but Weimer realized that Fields’ interests lay in a deeper and darker place.
The USC Shoah Foundation is using big data to recreate the experience of having a one-on-one conversation with someone who lived through the Holocaust.
To ensure the world that each of us won't forget the dark chapters of history, such as the Holocaust and World War II-related atrocities, a group of technology-savvy scholars and researchers is creating audio-visual accounts with survivors and witnesses.