Kurt Messerschmidt passionatley sings a song from his childhood.

Auschwitz: The Past is Present has left Australian teacher Christine Cole with a new motto and new motivation for imparting the lessons of the Holocaust on her students.

Mihran Andonian is describing an experience that was common during the Armenian Genocide.  Some Armenian mothers, certain that they would not survive the death marches into the desert, let their children be taken by Muslims (Turks, Arabs, Kurds), hoping to guarantee survival. Other Armenian mothers on the caravans died while still with their children leaving these orphans to fend for themselves. Indeed, thousands of Armenian children were left homeless by the end of World War I and were either taken in by locals or rounded up by missionaries and brought to orphanages.

Growing up, Addison Sandoval worked in his dad’s diesel repair shop in Compton, Calif., driving and delivering parts during the summers. It was there, encountering different people and places, that he learned to appreciate the values of humility, treating people with respect, and embracing people’s differences, he says.

Celé interview, ze kterého tento úryvek pochází, můžete shlédnout v Centru vizuální historie Malach, http://malach-centrum.cz.

Celá interview, ze kterých tyto úryvky pocházejí, můžete shlédnout v Centru vizuální historie Malach, http://malach-centrum.cz.

Celá interview, ze kterých tyto úryvky pocházejí, můžete shlédnout v Centru vizuální historie Malach, http://malach-centrum.cz.

USC Shoah Foundation’s educational resource Giving Memory a Future: The Sinti and Roma in Italy and Around the World continues to make waves across Europe.

“Get angry about it”, the conclusion of this clip, presents one of Israel Charny’s most important messages.

The first 60 interviews from USC Shoah Foundation’s Armenian Genocide Collection are now safely in the hands of the Armenian Genocide Museum & Institute.

When you use indexing terms to search through USC Shoah Foundation’s first 60 Armenian Genocide interviews in the Visual History Archive, or rely on the subtitles to understand the Armenian-language interviews, think of Hrag Yedalian.

Join USC Shoah Foundation, USC Thornton School of Music and DEFY: The USC Shoah Foundation Student Association for an evening of film and music at Joyce J Cammilleri Hall.“Melodies of Auschwitz” follows USC Thornton School of Music students and USC Shoah Foundation interns Ambrose Soehn and Alex Biniaz-Harris as they compose a piano suite based on the testimonies of Holocaust survivors for the 70th Anniversary of the Liberation of Auschwitz.

In the spring of 1915, the Young Turk regime of the Ottoman began a genocide against its Armenian population under the cover of World War I. This minute-long excerpt features survivor Haroutune Aivazian.  He describes the horror his mother faced when a town crier in Marash, a city in Cilcia in South West Anatolia, called for the Armenians of the community to gather in a square just outside of the town for deportation. As his mother prepared for the journey, a local Turkish man warned the family that deportation meant death.

Eight teachers who are passionate about IWitness will engage with USC Shoah Foundation in an exciting new way this summer: a three-day teaching fellowship.

For two full days in June 2010, while the camera was rolling in Thousand Oaks in the Hagopian’s living room, I had the privilege of being behind the camera while the late Jacob Michael Hagopian was in front of it -- the whole time.

In 1968, filmmaker J. Michael Hagopian received a phone call as he describes in this clip, from a German, who had apparently been stationed in a medical corps in the Ottoman Empire in 1915/1916 and witnessed what happened to Armenians. Michael had not heard of this person before, but knew right away that this could be an important interview. Why?

Dr. Ugur Ümit Üngör, Professor of History at Utrecht University in the Netherlands, lectured on the involvement of Kurdish people in the Armenian Genocide as both perpetrators and resistors of the mass violence.

 Three women tell their stories of struggle, courage, and resilience, and share their vision for women in rebuilding societies broken by genocide. Join us for a thuought-provoking night of discussion exploring women's integral role in post-conflict development. This event is presented in honor of USC Genocide Awareness month. 

Michael Amerian is in Yerevan, Armenia, this week with staff of USC Shoah Foundation to commemorate the 100th anniversary the greatest tragedy in the country’s history.

As the world commemorates the 100th anniversary of the Armenian Genocide today, the stories of 60 survivors and witnesses have been given new life.

In this brief clip Father Krikor Guerguerian is faced with a theological question that has challenged many survivors of the Armenian Genocide. The perpetrator confesses to him that he killed his father, three brothers and confiscated their house and garden and asks Guerguerian for forgiveness.

In this short clip Harry Kurkjian recalls Armenians who were about to be killed crying out in despair, “Where are you God?”  “Why are you punishing us?”  As the first nation to convert to Christianity in 301 AD, the events of 1915 raised a fundamental theological problem for Armenians.  If God is good and all-powerful, why was he not intervening on their behalf?  The problem of theodicy, as theologians refer to it, is an issue that surfaces in nearly every genocide, driving some people to completely abandon faith in God.  Indeed, the “God is Dead” movement arose after the Holocaust as Jewis