​At the academic symposium, scholars will discuss how music was used as resistance in a number of conflicts around the world. Tina Frühauf will instead focus on the very definition of “resistance” itself.

We have ample historical evidence that hateful words can be as dangerous as physical violence itself. German poet, Heinrich Heine said in 1821, “He who burns books will soon burn people.”

Multi-terabyte digital media cache deployed.

Documentary filmmaker, historian and curator Christian Delage gave a live interview on the Institute’s Facebook page last week, wherein he discussed his past 20 years of experience researching and making films on genocide, and where his latest project on the 2015 Paris terrorist attacks diverges from standardized methods for gathering testimony.

Aria Razfar, a fellow in residence this summer at USC Shoah Foundation’s Center for Advanced Genocide Research, sees parallels between the status of Yiddish in pre-war Germany and the status of Black English in the U.S. public school system.

The 10-part Echoes and Reflections series continues with Lesson 8: Survivors and Liberators.

A group of men is placed in several trucks. They are driven through the streets and out of town into an open area surrounded by trees. They are beaten around the head with rifle butts, made to run in a group towards an open mass grave. A mere handful of armed guards make them lie in the grave like sardines. Then they are shot one by one in broad daylight. The horrific spectacle, highly reminiscent of the Nazi Einsatzgruppen Aktions in the Soviet Union in 1941, was, in fact, the mass murder of some 30 men that took place in Iraq just this week. 

The USC Shoah Foundation mourns the passing of Thomas Buergenthal, one of the youngest known survivors of Auschwitz, who later became an esteemed human rights attorney and United States representative on the International Court of Justice in The Hague. Thomas passed away on May 29, 2023, in Miami, Florida. He was 89.

Special event to be hosted at Annenberg center.

Students and others will have access to testimonies.

For decades Nathan Poremba deflected his son Joel’s questions about his experiences as a child during the Holocaust. But when an interview with USC Shoah Foundation inspired Nathan to talk, Joel could not bear to face his father’s past. It would take a fateful trip to Israel 20 years later to bring the two together to explore the story.

USC undergraduates, graduate students and faculty as well as faculty from other universities are encouraged to apply.

Maël LeNoc, a PhD Candidate in Geography at Texas State University, has been awarded the 2019-2020 Margee and Douglas Greenberg Research Fellowship at the USC Shoah Foundation Center for Advanced Genocide Research.

To commemorate International Holocaust Remembrance Day, USC Shoah Foundation, The Willesden Project, and The Conscious Kid today launch a video read-along of Hold on to Your Music, the children’s book telling the story of Lisa Jura, a young Holocaust survivor who in 1938 escaped from Vienna on the Kindertransport and went on to become an acclaimed pianist in the United Kingdom.

Never forget. Never again. These are common phrases used in Holocaust and genocide education. These are important statements especially when they evoke the real reason to study, learn, and teach about genocide. We must bring this content to students to empower them and encourage them to see beyond themselves. If done right, students become aware of the steps that lead to such atrocities. Teaching about genocide is the only way to have a lasting impact on our students, to affect their worldview, to help them understand that they can make a difference.

Despite the current political turmoil in their country, six teachers from Crimea traveled to Kyiv last month for a seminar on oral history and USC Shoah Foundation’s Where Do Human Rights Begin teacher’s guide, led by Ukraine international consultant Anna Lenchovska.

USC Shoah Foundation Center for Advanced Genocide Research staff took their first trip to the American University of Paris (AUP) last month, the first visit since a partnership between the two organizations was announced.

Herbert Zipper, a world-renowned conductor, composer and pioneer of the community arts movement in the United States, grew up in a Vienna of extremes: From his birth in 1904 until he fled in 1939, the Austrian capital transformed from the heights of science and culture to the depths of economic depression and the onslaught of violent antisemitism and Nazi rule.

There is talk of a “new anti-Semitism” sweeping the globe, but all I see is the same irrational hatred aimed at the same perplexed victims, who are once again left wondering what has energized such bile.

Over the last six weeks, I have had the unique opportunity to be the Senior Fellow at USC Shoah Foundation - The Institute for Visual History and Education. It’s been an honor for me to be here, especially since I led the Institute between 2000 and 2008. Returning to this remarkable place, having the opportunity to use the Visual History Archive, and working among dear former colleagues and new friends has been simply thrilling.

With nearly 52,000 interviews from survivors of the Holocaust and other genocides, the archive of audio-visual testimony assembled and maintained by USC Shoah Foundation is so abundant it would take at least 12 years to watch it from beginning to end. And that’s assuming the footage would be rolling 24 hours a day, seven days a week. When I started my new job here at the Institute, I was struck by this statistic, which adequately conveys the scope of this incredible resource.

The history of antisemitism is strewn with the corpses of Jews who could not get out of the way when words turned to violence. The slaying of innocent Jewish lives by Pittsburgh gunman Robert Bowers, who this weekend turned his rhetoric about killing Jews into the actual killing of Jewish people, is the latest example. We need laws to allow intervention much earlier, or this will not be the last time we see Jewish people die in America because they are Jews.

When I was a child, my grandfather often told me about the Second World War. While he sat next to me, coloring or teaching me letters of the alphabet, he would sneak in a story about his days in the Soviet army. He would tell me about his post as a commander of a marine unit and how his forces liberated an Austrian town under Nazi occupation.

On this day, 27 years ago, my city of Sarajevo became a besieged city, and remained such for the following four years. A seven-year old at the time, I remember those first days of April of 1992 well. On one of them, my family’s Yugo 45 – an iconic car model of the former Yugoslavia – broke down right next to the Kasarna Maršala Tita (military barracks), where the U.S. Embassy is located today. Without a car, we could not go home that night, so we returned to my grandparents’ house. Later that night, the Bosnian Serb forces took away all the Bosnian Muslim men from our street and killed them. That Yugo 45, which we sold for some firewood months later, saved my father. This is how I remember that April of 1992.

Auschwitz should never have existed, so why are we so keen to cling onto it? Would it not be reasonable to scrub it from the landscape, remove the very thought of what it represents from our minds, recognize it as the cemetery it is, then grass it over and leave the dead to rest in peace?  

Lucette Valensi, who lived through World War II in Tunisia as a child and is now one of the most influential scholars of North African history, recorded an interview last week for USC Shoah Foundation’s Middle East and North Africa (MENA) Collection.

As a non-Jew living in Paris, the scourge of antisemitism had, until recently, faded from my mind as a major concern. But my eyes were opened in 2016 when I was approached by the USC Shoah Foundation to executive produce for them a new collection of testimonies on contemporary antisemitism.

Rena Quint has worked hard to find a balance between moving beyond memory and living inside of it, between yearning to know—and have proof of—where she came from and what she lost, but of not wanting to be defined by it.

As news continues to develop about the fate of the Deferred Action for Childhood Arrivals (DACA) program, educators can draw on resources from USC Shoah Foundation to help humanize the struggles faced by young immigrants throughout history.

Drag Queen, talented businessman and my icon RuPaul once stated, “If you can’t love yourself, how in the hell are you going to love somebody else?”