“Filming the Camps” explores the World War II experiences of Hollywood directors John Ford, George Stevens and Samuel Fuller.

Max Glauben was 13 when his family’s apartment was destroyed in the historic battle of the Warsaw Ghetto Uprising. Eva Kuper was 2 when her mother’s cousin rescued her from a train in the frantic moments before it headed to the Treblinka death camp. Both lost parents and other relatives in the Holocaust. And both are among the four Holocaust survivors whose testimonies USC Shoah Foundation is recording this week using cutting-edge, 360-degree filming techniques at the physical locations of their pre-war and wartime experiences, as well as their places of liberation.

As the number of Holocaust survivors dwindles, it falls to future generations to ensure their stories remain vibrant and strong.

Holocaust survivor Gena Turgel was known in the British press as the “Bride of Belsen” for marrying a British liberator of the Bergen-Belsen concentration camp, where she was a prisoner. She gave her testimony to USC Shoah Foundation in 1998.

It’s a story my grandfather never told me, something that I only heard and understood later, years after my mother recounted it. In 1943, after his first wife and children were killed, my grandfather, Sam Wasserman, participated in one of the only successful mass escapes from a Nazi extermination camp. He and hundreds of other prisoners, overwhelmed and killed several guards and escaped the Sobibor death camp in Poland. My grandfather eluded capture, joined a band of partisans fighting the Nazis, and shortly after surviving the war, met the woman who would become my grandmother.

Early this year, when the Swedish History Museum opened its exhibit about the Holocaust – an exhibit that includes USC Shoah Foundation testimonies and some of its interactive biographies – it marked the state-funded museum’s first foray into the topic. The exhibit has been a major success, say two Swedish museum professionals who played a prominent role in the installation, and who came to USC Shoah Foundation’s headquarters in Los Angeles last week to discuss taking the partnership to the next level.

USC Shoah Foundation is saddened by the recent loss of Walter P. Loebenberg, a friend of the Institute and a Holocaust survivor who, after finding refuge in the United States, went on to open the Florida Holocaust Museum, one of the largest Holocaust museums in the nation. He was 94.

Broken Silence, a “CINEMAX Reel Life” series of five documentary films by distinguished international directors, will debut on CINEMAX on five consecutive nights next April 15-19. This unique event is presented by Steven Spielberg and Survivors of the Shoah Visual History Foundation and produced by Academy Award Winning documentary filmmaker James Moll (the Oscar-winning HBO documentary “The Last Days”), and will debut in conjunction with Holocaust Remembrance Day, Yom Hashoah.

The 10-part Echoes and Reflections series concludes with Lesson 10: The Children.

Even absent this current era of “alternative facts” and “fake news,” the new Polish law making it a crime to point out Poland’s complicity in the Holocaust would be alarming.  But that it is occurring in today’s climate of demagoguery, heightened nationalism and ethnic tension – an unholy trio that threatens to metastasize on a global scale – is a troubling development. Poland’s effort has come under attack by Israel and stewards of Holocaust memory.

Much of the content is geared toward addressing some of the many conflicts that came to light during and in the wake of the neo-Nazi, white supremacist rallies in Charlottesville, Virginia, on August 15, 2017, such as the importance of speaking out against hate, promoting tolerance and acceptance, and embracing diversity.

The Vienna native reflects on his 10-month tenure at the Institute, and the importance of the national reconciliation program that enables a select group of young Austrians to serve at organizations focused on Holocaust remembrance.

We are sad to learn of the passing of Kurt Messerschmidt, Holocaust survivor, educator and beloved cantor. He was 102. Messerschmidt was born Jan. 2, 1915 in Weneuchen, Germany, but moved to Berlin in 1918 and excelled as a linguistics scholar, gymnast and musician. He was well-respected and a leader among his classmates and teachers, but was unable to attend college because of anti-Jewish measures implemented by the Nazis.

For the second year in a row, testimony from the Visual History Archive is inspiring teenagers to illustrate true scenes of the violation of human rights during the Stalin totalitarian regime and Nazi persecution of Jews in Ukraine.

Wolf Gruner, Director of the USC Shoah Foundation Center for Advanced Genocide Research, has published two new books about discriminatory policies against two distinct groups: the Jews in the annexed territories of the Third Reich and the indigenous people of Bolivia in the 19th century.

A few weeks ago, a student I was interviewing for a profile I was writing on him for USC Shoah Foundation’s website said something interesting: “Growing up Jewish, the Holocaust is pretty much always there.” I could identify. As someone who went to Hebrew school twice a week, every week, from the age of 5 to 13, the Holocaust was something I was always aware of. I was taught about it frequently, both in religious and regular school.

Karen Painter, Associate Professor of Musicology at the University of Minnesota, Twin Cities will be visiting the USC Shoah Foundation Center for Advanced Genocide Research for one week this summer as Honorable Mention for the Center’s 2018-2019 International Teaching Fellowship.

Through an analysis of testimony, students learn about the resistance efforts that took place in the Auschwitz camp complex and about the meaning of resistance in the context of the Holocaust in a new MiniQuest.

What makes Gad Beck’s story so remarkable, however, was that not only was he a “Mischling” but he was also a gay teenager living in Nazi Berlin, the epicenter of a military power antagonistic to both Jews and gays.

The conference’s first roundtable discussion will bring together four panelists from all over the world who will engage in a discussion about how digital archives can be used both to engage and inform the public and also aid scholars in their research.

Two museums have opened installations of Dimensions in Testimony, USC Shoah Foundation's interactive biography series.  In New Orleans, visitors to the National World War II Museum can interact with Staff Sergeant Alan Moskin, the first WWII Liberator filmed for Dimensions in Testimony. Moskin was a member of the 66th Infantry Regiment, 71st Infantry Division, that liberated Gunskirchen concentration camp in Austria. The exhibition runs through July 25, 2021.

We continue our 10-part Echoes and Reflections series with Lesson 4: The Ghettos.

USC Shoah Foundation mourns the passing of Betty Grebenschikoff, a Jewish Holocaust survivor, author, and speaker, who was reunited with a childhood friend in February 2021, 81 years after the pair had last seen one other in a Berlin schoolyard. The reunion, made possible by a longtime researcher at USC Shoah Foundation, touched hearts across the world.  

On January 25, 2019, the fifth- and sixth-graders of a school in Cottbus, Germany honored all those affected during the Holocaust by unveiling a Butterfly Project memorial to the 1.5 million children murdered during this dark moment in history. This first-ever initiative in Germany introduced a new, younger audience to real stories of local children.

Freie Universität Berlin introduces multimedia archive project.

USC Shoah Foundation Center for Advanced Genocide Research staff are in Australia this month for several presentations and a workshop centered on the Visual History Archive and testimony-based research.

USC Shoah Foundation mourns the passing of Edward Mosberg, a Holocaust survivor whose passion for sharing his story through lectures, recorded interviews, and educational trips back to concentration camps in Europe taught and inspired people everywhere. He was 96.

Over the course of 2016, testimony from USC Shoah Foundation’s Visual History Archive contributed to a wide array of published texts, from studies about the methodology of the Institute’s interviewing and cataloguing, to wholly other subjects that pulled from the VHA to back a defined thesis.

"New Perspectives on Kristallnacht: After 80 Years, the Nazi Pogrom in Global Comparison" 

Ukrainian educators can teach about the Roma using the Institute's resources and teacher's guides "Giving Memory a Future," "Encountering Memory," and "Where Do Human Rights Begin."