The 10-part Echoes and Reflections series continues with Lesson 9: Perpetrators, Collaborators and Bystanders

A rare collection containing hundreds of artifacts and written material brought back from Nazi Germany by an American Jewish soldier has been acquired by the USC Libraries as part of a longstanding collaboration with the USC Shoah Foundation’s Center for Advanced Genocide Research.

A newly published article in the peer-reviewed journal Social Education focuses on the potential of virtual reality in the classroom, and highlights USC Shoah Foundation’s virtual reality film 'Lala.' The 6-minute film centers on Holocaust survivor Roman Kent, who shares the story of his time in Nazi-occupied Poland alongside his beloved dog Lala.

USC Shoah Foundation mourns the passing of Edward Mosberg, a Holocaust survivor whose passion for sharing his story through lectures, recorded interviews, and educational trips back to concentration camps in Europe taught and inspired people everywhere. He was 96.

Leading American and international businessmen and philanthropists are joining forces to support the commemoration of the 70th anniversary of the liberation of the Nazi death camp Auschwitz-Birkenau on 27 January 2015.

The opening panel of the second day of the USC Shoah Foundation Center for Advanced Genocide Research’s Digital Holocaust Studies conference will focus on the innovative ways researchers are representing the Holocaust visually, using the latest data visualization techniques and tools.

Max Glauben was 13 when his family’s apartment was destroyed in the historic battle of the Warsaw Ghetto Uprising. Eva Kuper was 2 when her mother’s cousin rescued her from a train in the frantic moments before it headed to the Treblinka death camp. Both lost parents and other relatives in the Holocaust. And both are among the four Holocaust survivors whose testimonies USC Shoah Foundation is recording this week using cutting-edge, 360-degree filming techniques at the physical locations of their pre-war and wartime experiences, as well as their places of liberation.

“Who Will Write Our History” tells how ghetto inhabitant Emanuel Ringelblum, a historian, spearheaded an effort to collect what became one of the most important caches of eyewitness accounts to survive World War II. USC Shoah Foundation is a screening-event partner.

“Filming the Camps” explores the World War II experiences of Hollywood directors John Ford, George Stevens and Samuel Fuller.

Early this year, when the Swedish History Museum opened its exhibit about the Holocaust – an exhibit that includes USC Shoah Foundation testimonies and some of its interactive biographies – it marked the state-funded museum’s first foray into the topic. The exhibit has been a major success, say two Swedish museum professionals who played a prominent role in the installation, and who came to USC Shoah Foundation’s headquarters in Los Angeles last week to discuss taking the partnership to the next level.

As the number of Holocaust survivors dwindles, it falls to future generations to ensure their stories remain vibrant and strong.

What makes Gad Beck’s story so remarkable, however, was that not only was he a “Mischling” but he was also a gay teenager living in Nazi Berlin, the epicenter of a military power antagonistic to both Jews and gays.

Auschwitz was one of five death camps established by the Nazis in Poland where Jews were taken to be murdered during the so-called “Final Solution,” a euphemism for the their genocide. We know it through the horrific photos of trains filled with Jews, of men being split from women, parents from children, of the uniformed Nazi wagging his finger, and of the brick chimneys billowing smoke. But there is a much more intimate story still to be heard.

USC Shoah Foundation is saddened by the recent loss of Walter P. Loebenberg, a friend of the Institute and a Holocaust survivor who, after finding refuge in the United States, went on to open the Florida Holocaust Museum, one of the largest Holocaust museums in the nation. He was 94.

Broken Silence, a “CINEMAX Reel Life” series of five documentary films by distinguished international directors, will debut on CINEMAX on five consecutive nights next April 15-19. This unique event is presented by Steven Spielberg and Survivors of the Shoah Visual History Foundation and produced by Academy Award Winning documentary filmmaker James Moll (the Oscar-winning HBO documentary “The Last Days”), and will debut in conjunction with Holocaust Remembrance Day, Yom Hashoah.

Holocaust survivor Gena Turgel was known in the British press as the “Bride of Belsen” for marrying a British liberator of the Bergen-Belsen concentration camp, where she was a prisoner. She gave her testimony to USC Shoah Foundation in 1998.

Even absent this current era of “alternative facts” and “fake news,” the new Polish law making it a crime to point out Poland’s complicity in the Holocaust would be alarming.  But that it is occurring in today’s climate of demagoguery, heightened nationalism and ethnic tension – an unholy trio that threatens to metastasize on a global scale – is a troubling development. Poland’s effort has come under attack by Israel and stewards of Holocaust memory.

USC Shoah Foundation is planning to record 20 new testimonies for the second phase of its North Africa and Middle East collection. Fundraising is currently underway for this phase to begin.

Our longtime friend Pinchas Gutter turns 90 today! The survivor of six German Nazi concentration camps has shared his remarkable story with USC Shoah Foundation in a variety of formats over the years, including as a Dimensions in Testimony interactive biography that has been featured by media outlets including CBS 60 Minutes and the New York Times. Earlier this year Pinchas sat down with us to reflect on contemporary events and his experiences. 

USC Shoah Foundation mourns the passing of Betty Grebenschikoff, a Jewish Holocaust survivor, author, and speaker, who was reunited with a childhood friend in February 2021, 81 years after the pair had last seen one other in a Berlin schoolyard. The reunion, made possible by a longtime researcher at USC Shoah Foundation, touched hearts across the world.  

Two museums have opened installations of Dimensions in Testimony, USC Shoah Foundation's interactive biography series.  In New Orleans, visitors to the National World War II Museum can interact with Staff Sergeant Alan Moskin, the first WWII Liberator filmed for Dimensions in Testimony. Moskin was a member of the 66th Infantry Regiment, 71st Infantry Division, that liberated Gunskirchen concentration camp in Austria. The exhibition runs through July 25, 2021.

The Vienna native reflects on his 10-month tenure at the Institute, and the importance of the national reconciliation program that enables a select group of young Austrians to serve at organizations focused on Holocaust remembrance.

April 8 is International Roma Day, an opportunity to celebrate the Romani and Sinti culture and raise awareness about the challenges faced by Europe’s largest ethnic minority. An estimated 70 to 80 percent of Europe’s Roma and Sinti population was killed by the Nazis and their Axis partners during World War Two, a genocide with impacts that reverberate through the community today.

We are saddened to hear of the recent passing of Selma Engel, who, after becoming one of the few people to escape Sobibor death camp in Poland during the Holocaust, immediately began telling the world what she saw. She was 96.

Today is International Women’s Day and this year we are honoring girls—from Holocaust Europe to Africa, from Central America to the Middle East, from occupied China to pre-war Armenia—who demonstrated extraordinary strength and resilience in the face of unimaginable horrors. Here is a selection of USC Shoah Foundation clips and films to mark the occasion.

A few weeks ago, a student I was interviewing for a profile I was writing on him for USC Shoah Foundation’s website said something interesting: “Growing up Jewish, the Holocaust is pretty much always there.” I could identify. As someone who went to Hebrew school twice a week, every week, from the age of 5 to 13, the Holocaust was something I was always aware of. I was taught about it frequently, both in religious and regular school.

Over the course of 2016, testimony from USC Shoah Foundation’s Visual History Archive contributed to a wide array of published texts, from studies about the methodology of the Institute’s interviewing and cataloguing, to wholly other subjects that pulled from the VHA to back a defined thesis.

It’s a story my grandfather never told me, something that I only heard and understood later, years after my mother recounted it. In 1943, after his first wife and children were killed, my grandfather, Sam Wasserman, participated in one of the only successful mass escapes from a Nazi extermination camp. He and hundreds of other prisoners, overwhelmed and killed several guards and escaped the Sobibor death camp in Poland. My grandfather eluded capture, joined a band of partisans fighting the Nazis, and shortly after surviving the war, met the woman who would become my grandmother.

Freie Universität Berlin introduces multimedia archive project.

USC Shoah Foundation joined a Friday ceremony at a classroom in Cottbus, Germany that contributed 100 butterflies to the Butterfly Project, an international effort by schoolchildren to paint 1.5 million ceramic butterflies – one for every child murdered in the Holocaust.