For years now I have noticed that my students are especially interested in the information from non- traditional educational channels; visual and auditory information are often more welcome than academic texts from their books. The reason, we have experienced a shift in the methods that young people process information these days.
Filter by content type:
Filter by date:
The Spring 2014 issue of PastForward includes an excerpt of director Joshua Oppenheimer’s talk, which he gave in Los Angeles on the eve of the Oscars, describing his own journey of discovery as he encountered perpetrators willing to describe, even boast about, their acts of killing.
Throughout August 1944 the Lodz ghetto was liquidated until almost all the ghetto inhabitants were finally deported to Auschwitz. Philip Ravski recalls the liquidation and how his family evaded deporation until the end of August.
Dario Gabbai, whose testimony is in the Visual History Archive, stopped by the USC Shoah Foundation last week to donate World War II era documents and artifacts for preservation and research.
Dario Gabbai recalls his experiences as a Sonderkommando in Auschwitz II-Birkenau. He was forced to usher people into gas chambers, and then haul out the bodies, take them to the crematorium, and clean up the room for the next group of victims.
USC Shoah Foundation has partnered with its first Jewish day school – Solomon Schechter Day School of Bergen County in New Jersey – to introduce teachers to methods of teaching with testimony and incorporate the Institute's educational materials into the school curriculum.
USC Shoah Foundation’s international conference Nov. 16-18 will begin with a panel that brings together experts in using digital archives in education.
Rita Feder was a young girl during the 1936 Olympics in Berlin and remembers how desperately she wanted to attend the games but was unable to because she was Jewish. Feder recalls how dangerous it was for Jews during that time even though there was an international audience in Berlin.
Emberek egy csoportját teherautókra rakják. A városon keresztül egy erdei tisztásra hajtanak velük, leszállítják őket, és puskatussal kergetik az előre megásott tömegsír felé. Őrök kényszerítik, hogy szardínia módjára helyezkedjenek el a gödörben. Azután egyenként végeznek velük.
Art engages broader audiences and raises awareness of genocide in Rwanda, says Kwibuka20 international creative director Stacie Chaiken in the spring 2014 issue of PastForward.