Opinions
I had the opportunity to research the USC Shoah Foundation's Visual History Archive this past summer thanks to the Beth and Arthur Lev Student Research Fellowship. I was initially introduced to the archive through a course taught by Dr. Maria Zalewska in the School of Cinematic Arts entitled “Meme, Myself and I: How We Remember in the Digital Age.” Prior to the course, I was unaware of this resource at USC despite having a visual art practice deeply engaged with Holocaust remembrance and archives.
From visiting family in China during summer breaks growing up, I became acutely aware of the devastation and suffering that occurred during the Japanese occupation of our hometown of Nanjing. Museums, movies, television programs, and commemorative art kept the Nanjing Massacre alive in public memory. But what I also noticed, from visits to museums, shuffling through television channels, and discussions with family, was the seeming absence of Chinese resistance.
I much enjoyed my stay at the USC Shoah Foundation Center for Advanced Genocide Research in early March, just before the pandemic turned all of our lives upside down. Meeting the wonderful members of the staff and seeing how much the operations of both the Foundation and the Center have grown since my last visit in 2014 were remarkable experiences.
Only a day after the University of Southern California announced that it would conduct a three-day test to move all classes online, which soon turned into a permanent arrangement until the end of Spring semester, my colleague and I gave our last in-person introduction to the USC Shoah Foundation Visual History Archive to a USC class. Perhaps serendipitously, one of the topics discussed in this class was physical health.
During my dissertation research on the history of fear in the Weimar Republic, 1919-1933, a Corrie ten Boom fellowship provided the opportunity for me to visit the USC Shoah Foundation to explore the visual testimonies of the USC Shoah Foundation Visual History Archive. When I arrived, I was not exactly sure how I might make use of these incredibly important digitized collections in my project.