Joseph Horn describes the Auschwitz camp orchestra, which was made up of some of the best musicians in Europe. He distinctly remembers that the orchestra's concerts every Sunday were scheduled so the local townspeople could come into the camp after church and attend the concert. 

Musicologist Matt Lawson came to “Singing in the Lion’s Mouth: Music as Resistance to Genocide” conference hoping for feedback on one of his newest research ideas, and he wasn’t disappointed.