Rather than ameliorate a developing humanitarian nightmare, the Evian Conference that began on July 6, 1938 was a display of self-interest. Nearly every country – including the United States – refused to raise their refugee quotas as the onset of the Holocaust drew closer. Only the Dominican Republic offered to relax its restrictions.

For the first time in two years, USC Shoah Foundation welcomed students to its international headquarters at USC for the fifth annual Leadership Workshop-Action and Values.  Eighteen rising ninth to 12th-grade students, selected from across the country, participated in the July 10 to 15 seminars, field trips, discussions, and group projects while based in USC dorms. 

A public lecture by Ryan Cheuk Him Sun (PhD candidate in History, University of British Columbia, Canada) 2022-2023 Breslauer, Rutman, and Anderson Research Fellow (Join us in person for this lecture or attend virtually on Zoom) Organized by the USC Dornsife Center for Advanced Genocide Research

East Coast dance artist Rachel Linsky combines movement and testimony to create a novel form of Holocaust education.  Rachel directs and choreographs ZACHOR, an initiative that honors Holocaust survivors through dance. Her latest work in the project is Hidden, a dance film and production based on the story of Aaron Elster, a Jewish boy who from 1943 to 1945 hid from Nazi persecution in the attic of a Polish family. 

“How the Holocaust’s Jewish Calendars Bear Witness” Alan Rosen (Recipient of the 2020 Yad Vashem International Book Prize for Holocaust Research) April 21, 2021

Educators share how they teach with eyewitness testimony for April's Genocide Awareness Month.

USC Shoah Foundation is partnering with Discovery Education, the leading provider of digital content and professional development for K-12 classrooms, on education components of Auschwitz: The Past is Present.

A friend asked me whether I could help her with something. She knew I work with testimonies of Holocaust survivors in education and thought I could help her. We met over a coffee in a hipster place. There, she told me that her son suddenly started talking about Hitler. He talked about him all the time. Hitler and Nazis became a permanent conversation topic at their home, and she did not know what to do. “But he is too young for what I do,” I heard myself saying.

At this time of remembrance, I hope I am incorrect in thinking that public awareness of the Shoah is eroding. Information about this act of atrocity is still proliferating, so unawareness clearly cannot be attributed to absent knowledge. There is, in fact, an incredible amount of knowledge … and a growing reluctance to understand it.

In January 2014, four scholars from the “Holocaust Geographies Collaborative”—an international, interdisciplinary group of researchers evaluated the link between personal testimony, the index of the archive and geography.

Esther Toporek Finder discusses how second and third generation survivors embrace the message of education and remembrance in this article from PastForward Spring 2014.

Much like testimony shows how regimes have constructed borders; testimony demonstrates how individuals can construct bridges to connect with people of different beliefs and identities.

The elderly population is among the hardest hit by the COVID-19 pandemic, and the victims include a large and growing number of Holocaust survivors and World War II veterans.

Sally (Fink) Singer still cries over the spilled milk. Yes, it happened more than 80 years ago. And at the age of 100, Sally knows that her siblings – Anne (99), Sol (97), and Ruth (95), who to this day remain inseparable – have long since forgiven her. But the pangs of guilt and hunger linger.

In recognition of their longstanding commitment to humanitarian causes and support of veterans, Rita Wilson and Tom Hanks were presented the Ambassador for Humanity Award by Kate Capshaw and Steven Spielberg, USC trustee and founder of USC Shoah Foundation – The Institute for Visual History and Education.

A panel discussion and appearances by World War II Soviet veterans marked the grand opening of the Blavatnik Archive Foundation's exhibit at USC Thursday night.

I have only known Harry Reicher for three months, and yet today I say goodbye to him as an old friend. I don’t know why, but I wasn’t expecting to meet a devout and practicing Jew the day he first walked into the USC Shoah Foundation office, but Harry’s devotion to his religious life radiated from him the moment he said hello.

You never know what you will find in the Visual History Archive. You hear stories of survival, death, life, hope and even friendship amidst the chaos of genocide. Sidney Shafner and Marcel Levy have remained friends for over 70 years – since the liberation of the concentration camp Dachau.

Inspired by the United States’ 2016 presidential campaign, IWitness has just published a new activity that draws on current events to enhance students’ skills in leadership, media literacy and using their voices responsibly on social media.

On April 17, 1975, the city of Phnom Penh fell to the Khmer Rouge, triggering a four-year genocide. In commemoration, USC Shoah Foundation is spotlighting its Cambodia-based learning activities for high school students.

The Holocaust is inarguably the most heinous crime against a group of people we have seen in modern times. Despite decades of wrestling with how such an atrocity could have occurred and the postwar generation promising never again, history keeps repeating itself. Therefore, the collection and the custody of testimonies from those who bear witness remains a necessary task for as long as inhumanities keep occurring. Genocide and crimes against humanity transcend religions, cultures, languages, geographic regions, socioeconomics, gender, age, etc., making testimony collection across all cultures not only a moral responsibility, but imperative given the mission of USC Shoah Foundation. We know for sure that under a certain set of circumstances, genocide could happen anywhere, and again.

Middle and high school students around the world are exploring the themes of resistance, solidarity and resilience using an innovative new film-based curriculum produced by the USC Shoah Foundation and The Ghetto Fighters’ House Museum in Israel, one of the first Holocaust museums in the world. 

I recently was an expert witness from October 11-13, 2016, at the Extraordinary Chambers in the Courts of Cambodia (ECCC) in Phnom Penh, the so-called Khmer Rouge Tribunal that was established in 2001. When I mention this to colleagues, a typical response is, “That’s still going on?”  Indeed. Many forget the train that runs direct from USC to Long Beach takes you to the largest concentration of Cambodian survivors in the United States, where elders make daily offerings to ancestors in their homes or Buddhist temples.

Included within the course’s syllabus is the testimony of Holocaust survivor Eva Slonim, who was depicted in an iconic photo of a group of children standing behind the barbed wire at Auschwitz. Slonim composed a poem along with a group of other children while imprisoned in Auschwitz.

Montreal, March 23, 2015 – As the world marks the 70th anniversary of the end of World War II and the liberation of the Jews of Europe, the Montreal Holocaust Memorial Centre (MHMC) and Sarah and Chaim Neuberger Holocaust Education Centre in Toronto are proud to announce an historic agreement with USC Shoah Foundation - The Institute for Visual History and Education to have their testimonies integrated in the Visual History Archive as part of the Institute’s Preserving the Legacy initiative.

Part of a series that will examine genocide and the law, this moderated discussion will explore why eyewitness testimony matters in preventing genocide. USC Shoah Foundation Finci-Viterbi Executive Director Stephen Smith will lead the conversation with witnesses and experts in the field to tackle this urgent challenge from multiple perspectives.

Viterbi Family Foundation grants gift to Institute.

“Challenging the Shame Paradigm: Jewish Women’s Narratives of Sexual(ized) Violence During the Holocaust” Lauren Cantillon (PhD candidate in the Department of Culture, Media & Creative Industries at King’s College London, UK) 2020-2021 Robert J. Katz Research Fellow in Genocide Studies March 25, 2021

Until he retired from the Soviet Red Army in 1967, Leonid Rozenberg carried the banner at the head of the semi-annual military parade in the city of Lugansk, in what is now Ukraine, with hundreds of fellow soldiers marching behind him and thousands of spectators cheering him on. Although highly decorated – his chest was covered in medals – the honor of leading the parade was tainted for Leonid. During his 26 years in the Soviet military Leonid was never promoted beyond the rank of lieutenant colonel. The reason? He was a Jew.

A powerful documentary that hinges on USC Shoah Foundation testimony raises difficult questions about how Hungary memorializes victims of the Nazi occupation and confronts its own role in wartime atrocities. Released last year, filmmaker Dániel Ács’ Monument to the Murderers recounts the controversy surrounding a monument erected in Budapest in 2005 to honor local victims of World War II.