Cornell marked the launch Wed., Nov. 3 with a public lecture by New Yorker columnist and Rwandan Genocide expert Philip Gourevitch.

Interviewer: Mr. Laks, what are your activities nowadays?

Peter Komor says the best defense against future genocides is education. He and his granddaughter are both graduates of Cornell University, the 52nd full access site of the Visual History Archive.

USC President C. L. Max Nikias praised USC Shoah Foundation Executive Director Stephen Smith’s dedication to preserving memory of the past through testimony.

Al talks about what the Holocaust taught him, including the value of freedom, having the right perspective on life, taking action and making decisions in your life, and keeping families together.

Kabera and his film Intore will receive the International Family Film Festival (IFFF)’s 2015 Humanitarian Award in Hollywood on Sunday, Nov. 8.

Kátia Lerner worked as interviewer and Regional Assistant Coordinator for USC Shoah Foundation in Rio de Janeiro from 1996 to 1999. After that period, she continued her work as liaison until 2012. Katia received an MA in Social Communication and a PhD in Cultural Anthropology, both at Federal University of Rio de Janeiro. Her thesis analyzes the process of shaping the memory of the Holocaust taking as object of study the then called Survivors of the Holocaust Visual History Foundation (from 1994 to 2001).

In December 1995, USC Shoah Foundation, then called, Survivors of the Shoah Foundation, held a training session for interviewers in Buenos Aires; bringing together people from different countries of Latin America. The Foundation had just started to collect the survivors’ testimonies throughout the world and was about to start recording testimonies in Brazil.

Paula Lebovics describes her family's desperate search for visas to emigrate from Germany after the war. She remembers being surprised at how easily she acquired an American visa and was able to begin a new life in Detroit, Michigan.

Virtually everyone has listened to a popular song with its lyrics changed for comedic or dramatic effect. But a perhaps little-known fact of the Holocaust is that this type of parody was also a common practice in some of the most hellish places on Earth: concentration camps.