Schindler’s List producer Branko Lustig will play a key role in this year’s Let’s Cee Film Festival in Vienna, which welcomes filmmakers and film enthusiasts from all over Central and Eastern Europe.

In an effort to safeguard a narrative that began with the 1994 creation of the USC Shoah Foundation, Information Technology Services (ITS) has launched the process of digitizing the USC Shoah Foundation Institutional Audio-Visual Records.

The conference’s first roundtable discussion will bring together four panelists from all over the world who will engage in a discussion about how digital archives can be used both to engage and inform the public and also aid scholars in their research.

Chance and Choice: A Survivor’s Story highlights the poem "Could Have" by Wislawa Szymborska and three specific survival events from Jewish survivor Lusia Haberfeld's testimony to convey the role of both individual choice as well as luck in surviving the Holocaust.

USC Shoah Foundation is hosting staff of the Guatemalan nonprofit La Fundación de Antropología Forense de Guatemala (FAFG) in Los Angeles this week so that the two organizations may learn from each other and take steps toward future collaboration.

I recently emailed a teacher to ask if he was willing to be featured in a profile story on the USC Shoah Foundation website about his experiences using IWitness in his classroom. I had never been introduced to him and he had not been expecting to hear from me.

Genocide survivors' testimonies are often cited in research papers and books - but that's not the only way they can be used. The Place and Media in Remembering Genocide panel will introduce three projects that incorporate survivor memories into specific locations and forms of media.

The Power of Words activity is inspired by Elie Wiesel; thousands of students read his memoir Night every year to learn about the Holocaust. Students will consider the ways in which speaking and writing might empower survivors.

A sea of faces dotted with “Nie Wieder!” banners wraps around the Brandenburg Gate in the heart of Germany's capital. As I join them on this Sunday afternoon, I cannot help but think of the crowds that once had gathered under the same grey skies hanging onto every hateful word of their chosen leader, Adolf Hitler.

The Aladdin Project, founded by Anne-Marie Revcolevschi, uses the power of words to create bonds between Jewish and Muslim worlds. This article first appeared in the Spring 2014 issue of PastForward.