Brandeis University Professor Dawn Skorczewski examines the differences between the testimonies of two sonderkommando survivors, Dario Gabbai and his cousin Morris Venezia.

This is the fourth year USC Shoah Foundation has provided an exhibit of relevant testimony clips that students may use for research or incorporate into their projects.

Pour la quatrième année, l'USC Shoah Foundation propose aux élèves et aux enseignants participant au Concours national de la Résistance et de la Déportation, une sélection de témoignages. Pour l'année 2015-2016, le thème choisi est "Résister par l'art et la littérature".

One of Poland's most beloved films is a unique example of music uniting both Jews and gentiles in the immediate post-war period that would soon become very difficult to find anywhere else.

A few familiar faces and many more new students attended the first session of the 2015-16 Junior Intern program at USC Shoah Foundation this weekend.

The Visual History Archive contains 53,000 eyewitness testimonies to genocide and mass atrocities. What you might not know is that each testimony is indexed to the minute with over 62,000 keys words in the entire Archive. USC Shoah Foundation commemorates National Archives Month this November by participating in #AskAnArchivist Day on Thurs., Oct. 1, and sharing 10 more unique facts about the Visual History Archive.

​At the academic symposium, scholars will discuss how music was used as resistance in a number of conflicts around the world. Tina Frühauf will instead focus on the very definition of “resistance” itself.

Thurs., Oct. 1 is your chance to interact live on Twitter with USC Shoah Foundation archivists Sandra Aguilar and Daryn Eller.

Junior Intern Charlotte Masters made a very personal discovery during the trip to Poland and continues to share her experiences today.

“I can’t stand coffee!” she said, leaning forward to me before uttering back to the waitress. “Espresso please!” She giggled a little before telling me that espresso was her little dessert in the morning.