Their loved ones – including women and children – were slaughtered by the military and tossed into mass graves. For more than 30 years, survivors of the Guatemalan Genocide against the indigenous population assumed nobody cared about their stories. After all, nobody had ever bothered to ask.

Move-in day for students at the University of Southern California this week led to a remarkable small-world moment between two strangers with ties to the Holocaust in the public-exhibit space of USC Shoah Foundation’s lobby. Fifty-eight-year-old Alexander Moissis of the San Francisco Bay Area and his wife were helping their freshman son move into a dormitory when Alexander decided to steal away for a few minutes to visit USC Shoah Foundation, which is located on campus next to the dorm.

Each year, the USC Shoah Foundation Center for Advanced Genocide Research hosts an interdisciplinary team of scholars from different universities and different countries for one week so that they can develop and discuss a collaborative innovative research project in the field of Holocaust and Genocide

 

Survivors and their testimonies have been central to Holocaust research and memorial culture. Even before the end of the Shoah, survivor historians in parts of Eastern Europe liberated from Nazi occupation collected testimonies and conducted interviews with fellow survivors.

In an effort to spark a social movement against hatred in all forms, USC Shoah Foundation, established by Steven Spielberg after his experience filming “Schindler’s List”— which gave voice to survivors and witnesses of the Holocaust and other genocides through  education and action – and Discovery Education, today announced the Teaching with Testimony 2019 Stronger Than Hate Challenge winners.

Early this year, when the Swedish History Museum opened its exhibit about the Holocaust – an exhibit that includes USC Shoah Foundation testimonies and some of its interactive biographies – it marked the state-funded museum’s first foray into the topic. The exhibit has been a major success, say two Swedish museum professionals who played a prominent role in the installation, and who came to USC Shoah Foundation’s headquarters in Los Angeles last week to discuss taking the partnership to the next level.

Painter David Kassan has sat with survivors of the Holocaust for countless hours during the past five years, carefully listening to their stories of pain, grief, resilience and quiet victory.

Jewish track-and-field athlete Margaret Lambert remembers the pressure she felt when competing in the Adolf Hitler Stadium during the 1936 Olympic tryouts for a non-Jewish audience that objected to her presence. Maria Breitinger had her decathelon medal denied by her antisemitic school principal. Jules Forgacs remembers his first soccer match after liberation.

We are saddened to hear of the recent passing of Jack Welner, who survived a Jewish ghetto in Poland, a labor camp near the Dachau concentration camp in Germany, and the Auschwitz Nazi death camp in Poland – where his mother was murdered on arrival – before immigrating to Denver, Colorado, where he began a new life. He was 98. When Welner gave his testimony to USC Shoah Foundation in 1995, it changed his life.

The Institute for Visual History and Education introduces its first-ever testimony-based podcast, We Share the Same Sky. In a seven-episode arc, We Share the Same Sky presents an intimate portrait of Rachael Cerrotti’s family history and her own personal journey of love and loss as she retraces the steps of her grandmother, Hana Seckel-Drucker, who was displaced across Europe during and in the wake of World War II.

Max Glauben was 13 when his family’s apartment was destroyed in the historic battle of the Warsaw Ghetto Uprising. Eva Kuper was 2 when her mother’s cousin rescued her from a train in the frantic moments before it headed to the Treblinka death camp. Both lost parents and other relatives in the Holocaust. And both are among the four Holocaust survivors whose testimonies USC Shoah Foundation is recording this week using cutting-edge, 360-degree filming techniques at the physical locations of their pre-war and wartime experiences, as well as their places of liberation.

In 2020, on Indigenous Peoples' Day (formerly known as Columbus Day) -- October 12, 2020 -- the USC Shoah Foundation Center for Advanced Genocide Research will launch a three-day international conference entitled “Mass Violence and Its Lasting Impact on Indigenous Peoples - The Case of the Americas and Australia/Pacific Region”.

       

The Dallas Holocaust and Human Rights Museum this month became the second in the world to install a permanent theater to display Dimensions in Testimony – an interactive, holographic project developed by USC Shoah Foundation that will allow visitors to interact with a Holocaust survivor long after they are no longer with us.

When Ursula Martens was a little girl living in Germany, she was happy to be forced by law at age 10 to join the Hitler Youth.  “Everything was free,” she said. “You could go to theaters. … They would send you on vacations with other children at nice resorts.”  It wasn’t until she was a little older that she realized something was wrong.

Leading up to the one-year anniversary of the deadly synagogue shooting in Pittsburgh, USC Shoah Foundation staff members trained educators in that metro area last week about how to use video testimonies of Holocaust witnesses as a tool to teach empathy, understanding and respect.

An ISIS commander. Victims of the Cambodian and Bosnian genocides. Inmates at Guantanamo Bay. They are among the many subjects portrayed in the work of three women who spoke this week about their experiences as journalists and filmmakers working in conflict zones and with traumatized individuals on a USC Visions & Voices panel jointly organized by USC Shoah Foundation and the USC Fisher Museum of Art. 

Today we mourn the loss of one of our closest friends, Branko Lustig, a Holocaust survivor and two-time Academy Award winner who produced Schindler’s List and played an indispensable role in the founding of USC Shoah Foundation. He was 87. Shortly after the film’s 1993 release, Lustig -- who witnessed horrific atrocities at Auschwitz, Bergen-Belsen and other concentration and labor camps -- led the drive to implement Steven Spielberg’s vision of collecting 50,000 Holocaust testimonies for what was then called Survivors of the Shoah Visual History Foundation.

In China, the number of people still alive who survived the 1937 Nanjing Massacre at the hands of Japanese invaders has fallen to minuscule levels – some experts put the number around 80. USC Shoah Foundation’s collection of about 100 testimonies of survivors from this rampage that killed some 300,000 civilians and unarmed soldiers includes the vast majority of them. This fall, the Institute reached a milestone: The entire collection of Nanjing testimonies has been indexed and subtitled in English.

Professor Uğur Ümit Üngör (Utrecht University, Department of History, and NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam) gave a public lecture about the role of paramilitary militias in cases of mass violence, focusing on the example of pro-state paramilitary violence in the Syrian conflict. The lecture is based on Professor Üngör’s forthcoming monograph of the same title, which builds upon his broader and comparative research on the global phenomenon of paramilitarism.

Anna Lee, the 2019 Beth and Arthur Lev Student Research Fellow at the USC Shoah Foundation Center for Advanced Genocide Research, gave a public lecture about her research on survivor activism as a form of healing in the aftermath of mass executions during genocide and contemporary school mass shootings. During her one-month residency at the Center, Lee conducted comparative research on the topic by examining both survivor testimonies housed in the USC Shoah Foundation Visual History Archive and accounts of school shootings survivors found in media and other sources.

Ayşenur Korkmaz, the Center’s 2019-2020 Robert J. Katz Research Fellow in Genocide Studies, gave a public lecture about narratives and conceptions of home among Armenian genocide survivors who fled to the south Caucasus during the Armenian genocide. The lecture is based on Korkmaz’s research with video and audio testimonies of Armenian survivors available in the USC Shoah Foundation Visual History Archive, and is part of her larger dissertation project on post-genocide articulations of the Armenian homeland (Yergir) through materiality and rituals.

About a month before the Nazis invaded Poland in 1939, sparking World War II, a desperate Jewish father in Germany penned a letter in broken English to a friend in England, Mrs. Wolf.  “I beg to inform you that we have got a refuse from the Aid Committee in London, owing to our high waiting number for America. … We are very discouraged by this answer and are now forced to get out our children as quick as possible.” Alfons Lasker, an attorney in Breslau, was on a mission to get his two daughters – Anita and Renate – out of Germany. He did not succeed.

USC Shoah Foundation —The Institute for Visual History and Education (USC Shoah Foundation) and Fox Searchlight Pictures today announced a partnership to develop classroom curriculum tied to JOJO RABBIT, Taika Waititi’s heartfelt World War II anti-hate satire.

 

 

 

In 2019, the USC Shoah Foundation Center for Advanced Genocide Research conducted deep and wide-ranging outreach, introducing the Visual History Archive to scholars, academic faculty, fellows, librarians, and students through in-depth workshops, demonstrations, consultations, and class introductions.

During my dissertation research on the history of fear in the Weimar Republic, 1919-1933, a Corrie ten Boom fellowship provided the opportunity for me to visit the USC Shoah Foundation to explore the visual testimonies of the USC Shoah Foundation Visual History Archive. When I arrived, I was not exactly sure how I might make use of these incredibly important digitized collections in my project.